Difference between revisions of "CSE590M"
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Zwicker, E. and H. Fastl. Psychoacoustics: Facts and Models. 1990, Springer-Verlag, New York. NY. 181. [http://uwashington.worldcat.org/oclc/39951774] | Zwicker, E. and H. Fastl. Psychoacoustics: Facts and Models. 1990, Springer-Verlag, New York. NY. 181. [http://uwashington.worldcat.org/oclc/39951774] | ||
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'''Listening''' | '''Listening''' | ||
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+ | Dumitrescu, Iancu ''Gnosis'' [http://depts.washington.edu/dxclass/cse590m/gnosis.mp3] | ||
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+ | Grisey, Gerard ''Partiels'' [http://depts.washington.edu/dxclass/cse590m/partiels.mp3] | ||
Harvey, Jonathan ''Mortuos Plango Vivos'' [http://depts.washington.edu/dxclass/cse590m/mortuos.mp3] | Harvey, Jonathan ''Mortuos Plango Vivos'' [http://depts.washington.edu/dxclass/cse590m/mortuos.mp3] | ||
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+ | Levinas, Michael ''Oscillations'' [http://depts.washington.edu/dxclass/cse590m/oscillations.mp3] | ||
Murail, Tristan ''Godwana'' [http://depts.washington.edu/dxclass/cse590m/godwana.mp3] | Murail, Tristan ''Godwana'' [http://depts.washington.edu/dxclass/cse590m/godwana.mp3] | ||
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+ | Pampin, Juan ''Nada'' [http://depts.washington.edu/dxclass/cse590m/nada.mp3] | ||
Parmenter, Josh ''Cadence (III. Decrescendo)'' [http://www2.realizedsound.net:8080/josh/Music/Entries/2005/1/1_Cadence_(III._Decrescendo)_-_for_computer_realized_sound.html] | Parmenter, Josh ''Cadence (III. Decrescendo)'' [http://www2.realizedsound.net:8080/josh/Music/Entries/2005/1/1_Cadence_(III._Decrescendo)_-_for_computer_realized_sound.html] | ||
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+ | Radulesu, Horatio ''String Quartet No. 5'' [http://depts.washington.edu/dxclass/cse590m/sq5.mp3] | ||
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+ | Saariaho, Kaija ''Nymphea'' [http://depts.washington.edu/dxclass/cse590m/nymphea.mp3] | ||
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If you want to edit this page and you don't have an account, email alexco at cs. | If you want to edit this page and you don't have an account, email alexco at cs. |
Revision as of 23:31, 5 October 2008
CSE 590m spring 2008 - [1]
Meeting information Time: Mondays, 3:30-4:20 Place: CSE 303
Lecture Materials for Oct 8th (Johnathan Lyon - Spectral Music and the ATS Algorithm)
Lecture Notes
Powerpoint [2]
PDF [3]
Reading
Grisey, Gerard Did You Say Spectral? Contemporary Music Review 2000, Vol 19(3) p 1-3 [4]
Grisey, Gerard Interview with David Bundler March, 1996 issue of 20th-Century Music. [5]
Murail, Tristan After-Thoughts Contemporary Music Review 2000, Vol. 19(3) p 5-9. [6]
Pampin, Juan ATS: A System for Sound Analysis Transformation and Synthesis Based on a Sinusoidal plus Critical-Band Noise Model and Psychoacoustics [7]
Lyon, Johnathan and Mike Chung Benchmarking Techniques for Classifying Improvements in the Noise and Residual Re-synthesis Processes of the ATS Algorithm [8]
McAulay, R. J., and T. F. Quatieri. 1986. Speech Analysis/Synthesis based on a Sinusoidal Representation. IEEE Transactions on Acoustics, Speech, and Signal Processing 34(4): 744-754. [9]
Smith, J. O., and X. Serra. 1987. PARSHL: An Analysis/Synthesis program for Nonharmonic Sounds based on a Sinusoidal Representation. Proceedings of the 1987 International Computer Music Conference. San Francisco: Computer Music Association. [10]
Zwicker, E. and H. Fastl. Psychoacoustics: Facts and Models. 1990, Springer-Verlag, New York. NY. 181. [11]
Listening
Dumitrescu, Iancu Gnosis [12]
Grisey, Gerard Partiels [13]
Harvey, Jonathan Mortuos Plango Vivos [14]
Levinas, Michael Oscillations [15]
Murail, Tristan Godwana [16]
Pampin, Juan Nada [17]
Parmenter, Josh Cadence (III. Decrescendo) [18]
Radulesu, Horatio String Quartet No. 5 [19]
Saariaho, Kaija Nymphea [20]
If you want to edit this page and you don't have an account, email alexco at cs.