Difference between revisions of "CSE590M"

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of the 1987 International Computer Music Conference. San Francisco: Computer Music Association. [http://]
 
of the 1987 International Computer Music Conference. San Francisco: Computer Music Association. [http://]
  
Zwicker, E. and H. Fastl. Psychoacoustics: Facts and Models. 1990, Springer-Verlag, New York. NY. 181.
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Zwicker, E. and H. Fastl. Psychoacoustics: Facts and Models. 1990, Springer-Verlag, New York. NY. 181. [http://uwashington.worldcat.org/oclc/39951774]
  
 
'''Listening'''
 
'''Listening'''

Revision as of 23:19, 5 October 2008

CSE 590m spring 2008 - [1]

Meeting information Time: Mondays, 3:30-4:20 Place: CSE 303



Lecture Materials for Oct 8th (Johnathan Lyon - Spectral Music and the ATS Algorithm)

Lecture Notes

Powerpoint [2]

PDF [3]


Reading

Grisey, Gerard Did You Say Spectral? Contemporary Music Review 2000, Vol 19(3) p 1-3 [4]

Grisey, Gerard Interview with David Bundler March, 1996 issue of 20th-Century Music. [5]

Murail, Tristan After-Thoughts Contemporary Music Review 2000, Vol. 19(3) p 5-9. [6]

Pampin, Juan ATS: A System for Sound Analysis Transformation and Synthesis Based on a Sinusoidal plus Critical-Band Noise Model and Psychoacoustics [7]

Lyon, Johnathan and Mike Chung Benchmarking Techniques for Classifying Improvements in the Noise and Residual Re-synthesis Processes of the ATS Algorithm [8]

McAulay, R. J., and T. F. Quatieri. 1986. Speech Analysis/Synthesis based on a Sinusoidal Representation. IEEE Transactions on Acoustics, Speech, and Signal Processing 34(4): 744-754. [http://]

Smith, J. O., and X. Serra. 1987. PARSHL: An Analysis/Synthesis program for Nonharmonic Sounds based on a Sinusoidal Representation. Proceedings of the 1987 International Computer Music Conference. San Francisco: Computer Music Association. [http://]

Zwicker, E. and H. Fastl. Psychoacoustics: Facts and Models. 1990, Springer-Verlag, New York. NY. 181. [9]

Listening

Harvey, Jonathan Mortuos Plango Vivos [10]

Murail, Tristan Godwana [11]

Parmenter, Josh Cadence (III. Decrescendo) [12]


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