Difference between revisions of "CSE590M"

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Based on a Sinusoidal plus Critical-Band Noise Model and  
 
Based on a Sinusoidal plus Critical-Band Noise Model and  
 
Psychoacoustics'' [http://www.dxarts.washington.edu/ats/ATS_theory.pdf]
 
Psychoacoustics'' [http://www.dxarts.washington.edu/ats/ATS_theory.pdf]
 +
 +
Lyon, Johnathan and Mike Chung ''Benchmarking Techniques for Classifying Improvements in the Noise and Residual Re-synthesis Processes of the ATS Algorithm ''[http://depts.washington.edu/dxclass/cse590m/lyon_2008.doc]
  
 
McAulay, R. J., and T. F. Quatieri. 1986. ''Speech Analysis/Synthesis based on a Sinusoidal Representation.'' IEEE Transactions on Acoustics, Speech, and Signal Processing 34(4): 744-754. [http://]
 
McAulay, R. J., and T. F. Quatieri. 1986. ''Speech Analysis/Synthesis based on a Sinusoidal Representation.'' IEEE Transactions on Acoustics, Speech, and Signal Processing 34(4): 744-754. [http://]

Revision as of 23:03, 5 October 2008

CSE 590m spring 2008 - [1]

Meeting information Time: Mondays, 3:30-4:20 Place: CSE 303



Lecture Materials for Oct 8th (Johnathan Lyon - Spectral Music and the ATS Algorithm)

Lecture Notes

Powerpoint [2]

PDF [3]


Reading

Pampin, Juan ATS: A System for Sound Analysis Transformation and Synthesis Based on a Sinusoidal plus Critical-Band Noise Model and Psychoacoustics [4]

Lyon, Johnathan and Mike Chung Benchmarking Techniques for Classifying Improvements in the Noise and Residual Re-synthesis Processes of the ATS Algorithm [5]

McAulay, R. J., and T. F. Quatieri. 1986. Speech Analysis/Synthesis based on a Sinusoidal Representation. IEEE Transactions on Acoustics, Speech, and Signal Processing 34(4): 744-754. [http://]

Smith, J. O., and X. Serra. 1987. PARSHL: An Analysis/Synthesis program for Nonharmonic Sounds based on a Sinusoidal Representation. Proceedings of the 1987 International Computer Music Conference. San Francisco: Computer Music Association. [http://]

Zwicker, E. and H. Fastl. Psychoacoustics: Facts and Models. 1990, Springer-Verlag, New York. NY. 181.

Listening

Parmenter, Josh Cadence (III. Decrescendo) [6]


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